Ryan Sarah Murphy
2001 BFA, Sculpture, School of Visual Arts, New York, NY
2018 Terraforming, Ground Floor Gallery, Brooklyn, NY
2015 Site Lines, Platform Gallery, Seattle, WA
2013 Parameters, Liliana Bloch Gallery, Dallas, TX
2007 Kept, Outrageous Look, Brooklyn, NY
SELECTED GROUP EXHIBITIONS
[upcoming] Image_Object (The Visual and The Physical), Poimena Gallery, Launceston, Tasmania
Press Play, Flat Files Featured Artist, ODETTA Gallery, New York, NY
Unlikely Materials and the Language of Art, Krasdale Galleries, Bronx, NY and White Plains, NY
Three Voices, curated by Melinda Wang, Lighthouse Gallery, New York, NY
pa•per, Paradigm Gallery, Philadelphia, PA
Art on Paper Fair, w/Kathryn Markel Gallery, New York, NY
Pulp + Process: Making and Manipulating Paper, curated by Sam Aldrich, Society of Arts and Crafts, Boston, MA
Saturated Geometry, curated by Lucas Kelly, The Gallery at Mercer County Community College, West Windsor, NJ
Soft Grit, LoBo Gallery, Brooklyn, NY
System Processing, Curatorial Studio, GVSU Sustainable Agriculture Project, Jenison, MI
Dwellings, curated by Morgan McAllister & Nicole Castaldo, Lobo Gallery, Brooklyn, NY
Creative Climate Awards, Human Impacts Institute, Taipei Economic & Cultural Center, New York, NY At Hand, 3-person exhibition, curated by Ry McCullough, Scarfone/Hartley Gallery, University of Tampa, FL
Folded: New Acquisitions to the Artspace Flatfile, Second Story Gallery & Workshop, New Haven, CT
Art on Paper Fair, w/Kathryn Markel Gallery, New York, NY
Plus One, Project: ARTspace, New York, NY
Abductions and Reconstructions, 3-person exhibition, curated by David Borwaski, Real Art Ways, Hartford, CT
Echoes, Kathryn Markel Gallery, New York, NY
TSA The Flat File: Year Five, Tiger Strikes Asteroid, Brooklyn, NY
Market Art + Design Fair, w/Kathryn Markel Gallery, Bridgehampton, NY
Re:Constructed, curated by NYFA Curatorial, McKinsey & Co., New York, NY
Speaking Volumes: Transforming Hate, Fort Collins Museum of Art & Lincoln Center Art Gallery, Fort Collins, CO (traveling)
Connections, curated by Peter Gynd, permanent exhibition, Foundation Center, New York, NY
Bauhaus Babies, ODETTA Gallery, Brooklyn, NY
Elegant Simplicity, Nightingale Gallery, Eastern Oregon University, La Grande, OR
Speaking Volumes: Transforming Hate, Anya & Andrew Shiva Gallery, City University of New York, NY (traveling)
The Drawing Board, District of Columbia Arts Center, Washington, DC
Out Lines, Gallery Petite, Brooklyn, NY
Necessary Construction, Trestle Gallery, Brooklyn, NY
Seattle Art Fair, w/Platform Gallery, Seattle, WA
de.con.struct, Matteawan Gallery, Beacon, NY
Momenta Art Spring Benefit, Brooklyn, NY
Paper Constructions, Drawing Rooms, Jersey City, NJ
Pulse Art Fair, with Margaret Roleke & ODETTA Gallery, New York, NY
on/of/about paper, DM Contemporary, New York, NY
Domestic Ideals: Nostalgia and the Home, Lesley Heller Workspace, New York, NY
Spatial Intelligence, ODETTA Gallery, Brooklyn, NY
Summer School, Liliana Bloch Gallery, Dallas, TX
Internal Dialogues, The Elizabeth Foundation for the Arts, curated by Natalia Nakazawa, New York, NY
CONstruct/conSTRUCT: The Organizing Principle, Schiltkamp Gallery, Clark University, Worcester, MA
The Left Over Method, La Couleuvre, Paris, France
Wrap Around One, ARENA @ Suite 806, curated by Renee Riccardo, New York, NY
rMFA Inaugural Biennial 2013, Rochester Museum of Fine Arts, Rochester, NH
Traces of Omnipresence, 306 at 156 Project Artspace, curated by Leslie Kerby, New York, NY
GroupShow: Artworks You Can Smuggle in Your Suitcase, Millenaris Cultural Center, Budapest, Hungary
Bound to Printed Matter, Howland Public Library, Beacon, NY
This Is How My Brain Works, Radiator Arts, curated by Michael Lee, Long Island City, NY
Mix and Match, Exhibition II, Hampden Gallery, UMass-Amherst, MA
One - Robert Strati, Ryan Sarah Murphy & Robert Walden, Exhibit 23, Valley Cottage, NY
Dialogues, Taller Boricua Gallery, New York, NY
Mix and Match, Exhibition I, Atelier 030202, Bucharest, Romania
Reframings: i am not a good enough feminist, curated by Melanie Kress, Concrete Utopia, Brooklyn, NY
Urban/Urbane, Susan Hensel Gallery, Minneapolis, MN
Pages: Book as Medium, Catalyst, Venue, Paragraph Gallery, Kansas City, MO
Gimme Shelter, Mixed Greens Gallery, New York, NY
Heed the Machine, Illustrious, St. Cecilia’s Gallery, Brooklyn, NY
Censored, Georgia College & State University, Milledgeville, GA
Marking Places, Retracing Spaces, Multimedia Gallery, University of the Arts, Philadelphia, PA
The Grid, Milepost 5 Gallery, curated by TJ Norris, Portland, OR
Speaking Volumes: Transforming Hate, Holter Museum of Art, curated by Katie Knight, Helena, MT
Bits & Pieces: The Collage Impulse, Lehman College Art Gallery, curated by Susan Hoeltzel, Bronx, NY
450 Women Have Been Murdered in Ciudad Juarez, SAC Gallery, Stonybrook, NY
“Ryan Sarah Murphy - Arriving at an Unknown Endpoint,” interview with Etty Yaniv, Art Spiel Magazine, Feb. 19, 2019.
Hanley, Logan. “Dwellings: An Inaugural Exhibition for a New Type of Gallery,” Nov. 2018.
D’Souza, Aruna. “Shining A Light,” Carnegie Reporter Magazine (print), Vol. 9/Number 3, Winter 2018, pg. 51.
“In Conversation with Ryan Sarah Murphy,” Markel Fine Arts Gallery Blog, June 6, 2017.
Glasgow, Hamidah. “Q&A: Katie Knight Curator of Speaking Volumes, Transforming Hate,” Strange Fire, January 17, 2017.
“Bauhaus Babies Spin at ODETTA,” online review by Etty Yaniv, Arts in Bushwick, December 15, 2016.
“Abstract Contemporary Collage Reliefs,” Strictly Paper, online publication, November 22, 2016.
“Featured Artist Gallery & Interview,” Maake Magazine, online and print publication, March, 2016.
Burch, Tory. “Meet the Artist - Ryan Sarah Murphy,” Tory Burch Daily, Feb. 4, 2016.
“The Artist Profile,” Embark Magazine, August/September 2015 Issue, pgs. 114-119.
“Things To Do in the Hudson Valley Aug. 16-22,” artwork image from Matteawan Gallery exhibition, The New York Times, Aug. 13th.
Goldstein, Willow. “The Art and Craft of Paper,” Arts in Bushwick, May, 2015.
Turner, Douglas. “Armory Week of Art Fairs-The Smartest Art I Found,” The Architecture of Tomorrow, March, 13, 2015.
Watts Jr., James D. “Living Arts of Tulsa Exhibit Shows Hate Turned into Art,” Tulsa World, Jan. 2015.
Gomez, Enrico. “Abstraction in Brooklyn in November,” WagMag Art Guide, Nov. 1, 2014.
“Cut Out for Collage,” color catalogue, published by Index Book, Spain, pgs. 102-105.
“Inaugural Biennial 2013,” Rochester Museum of Fine Arts, color catalogue, pgs. 52-53, 2013.
“Strange Glue- Collage at 100,” Thompson Gallery, Virtual Annex, color catalogue, pg. 33,
Singleton, Kate. ArtHound, January 23, 2012.
Hamada, Jeff. Booooooom, January 20, 2012.
Tzenkova, Ani. Trendland, January 13, 2012.
Cox, Jocelyn Jane. “The Home Tome,” online publication, October 19, 2011.
Artist Interview, Notpaper, Sept. 15, 2011.
Olson, Norma Smith. “Urban/Urbane, Words and Pictures,” Minnesota Women’s Press, Sept. 2011.
“Speaking Volumes, Transforming Hate,” Holter Museum of Art, Helena, MT, color exhibition catalogue, 2008.
Green, Elliott. Review – Solo Exhibition, ARTnews, April 2008, pg. 144.
Wagner, James. “Ryan Sarah Murphy at Outrageous Look,” April 7, 2007.
Genocchio, Benjamin. “Collages Go To College and Behave Accordingly,” The New York Times, December, 2007.
Schweimler, Krystal. “Art in Death: Ciudad Juarez Murders at SAC Gallery,” The Stonybrook Statesman, October, 2007.
Foundation Center, New York, NY
Holter Museum of Art, Helena, MT
as well as several private collections