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click on image to enlarge & view more

Read an interview with Scott

See a time-lapse video
of the making of
Lionel Hampton


  EDUCATION
1972
University of Idaho, Bachelors of Architecture
1976
Minneapolis College of Art and Design, Bachelor of Art

SOLO EXHIBITIONS
2007
"True Grit," Platform Gallery, Seattle
“Big Trouble: The Idaho Project,” and “Shapers of the Twentieth
Century,” Boise Art Museum, Boise, ID (cat.)
2006
“Geronimo!,” Tony Wight/Bodybuilder and Sportsman, Chicago, IL
2005
“Big Trouble: The Idaho Project,” Salt Lake Art Center, Salt Lake City, UT
“Big Trouble: The Idaho Project,” The Northwest Museum of Arts and Culture, Spokane, WA
“I Am What I Am,” Platform Gallery, Seattle
“Heads,” Spokane Falls Community College, Spokane, Washington
2004
Tacoma Art Museum, Tacoma
2003
Bodybuilder and Sportman’s Gallery, Chicago
The Evergreen State College Gallery, Olympia, Washington
1999
Esther Claypool Gallery, Seattle
1998
Butch Blum, Seattle
1997
Lead Gallery, Seattle
1996
Port Angeles Fine Art Center, Port Angeles, Washington
1994
Cornish Art Institute, Seattle
Boise Art Museum, Boise, Idaho & Cheney Cowles Museum, Spokane
1992
Henry Art Gallery, Seattle
1991
Fuller/Elwood Gallery, Seattle
1990
Galerie Redmann, Berlin
1989
Fuller/Elwood Gallery, Seattle
1987
Ed Kienholz’s Faith, Hope & Charity Gallery, Hope, Idaho
1985
Galerie Redmann, Berlin
1979
Diane Gilson Gallery, Seattle
1976
Olson-Walker Gallery, Seattle

GROUP EXHIBITIONS
2007
"Beauty is Embarrassing," Western Project, Los Angeles
2007
Frida Kahlo: images of an Icon, Tacoma Art Museum
2006
Art LA with Platform Gallery, Los Angeles, CA
Retrospective 20; I, Port Angeles Fine Art Center; Port Angeles, WA
Group Show, Valerie Carberry; Chicago, curated by Tony Wight
Swallow Harder: Selections from the Ben and Aileen Krohn Collection,
Frye Museum Seattle
2005
“Nouvelle Nuptials,” San Francisco Museum of Craft + Design
Aqua Art Miami with Platform Gallery, Miami Beach, FL
2004
“Seattle Collects,” City of Seattle
2003
“Crossroads: New Art from the Northwest,” COCA, Seattle
“Sense of Place,” Prichard Gallery, University of Idaho, Moscow, ID
“Umbrella,” Bumbershoot Exhibit, Seattle
2000
Esther Claypool Gallery, Seattle
1998
Group Show, “Animals,” Galerie Redmann, Berlin
1997
“Friends of Kienholz,” Galerie Redmann, Berlin and Koln Art Fair
1995
“Miracle on 34th Street,” Fremont Arts Council/NW Aids Foundation
“Demolition Party,” The Henry Art Gallery
“Fallen Timber,” Tacoma Art Museum
1994
“Die Dritte Dimension” (The Third Dimension), Galerie Redmann, Berlin
1993
“American Friends,” Galerie Redmann, Berlin
“Set The Table: Art & Food,”
1992
FUEL Gallery, Seattle
1991
Gerald Peters Gallery, Santa Fe, New Mexico
1990
“Radio Sehen,” Kunstverein Slegen
1989
The University Art Gallery, Albany, NY
Galerie Redmann, Berlin
1988
Discovery Gallery, Long Island, NY
1987
Pritchard Gallery, Moscow, Idaho
“10 Jahre Galerie Redmann,” Galerie Redmann, Berlin
“The Inland Empire,” Braunstein/Quay Gallery, San Francisco
1987
“Materialisation,” Mannheimer Kunstverein, Mannheim
1986
“Station Berlin,” Berlinische Galerie, Berlin
1984
“5 Amerikanische Kunstler,” Galerie Redmann, Berlin
1984
“Sammlung Stahl,” Berlinische Galerie, Berlin
“12 Meister des Trompe L’oiel,” Galerie Redmann, Berlin
1983
“Kunst und Technik,” Museum fur Verkehr und Technik, Berlin
Smithsonian Institute, Washington, D.C.
1982
Internationale Kunstmesse, Basel1978 Foster-White Gallery, Seattle

COLLECTIONS
Microsoft, Redmond, Washington
City of Seattle
Swedish Hospital, Seattle,
Safeco Company, Safeco Field, Seattle
The State of Washington
The Tacoma Art Museum
Berlinische Galerie (City of Berlin), Berlin
Ed Kienholz and Nancy Reddin-Kienholz, Hope, Idaho
Sammlung Froer, Oftersheim, Germany
Mandy and Clifford Einstein, Los Angeles
Sheryl Conkelton and Joseph Newland, Seattle
Klauis und Bisela Groenke, Berlin
Sammlung Stahl, Berlin, Germany
Paul and Roberta K. Thompson, London
Zewawell, Mannheim, Germany
Gordon Walker Architect, Seattle
Karen Weinstein, Los Angeles
Ruth Braunstein, Braunstein Gallery, San Francisco
Hans and Helga Redmann, Berlin
Better Asher, Asher-Faure Gallery, Los Angeles
Helfreid und Elisabeth Gast, Munchen/Baldham
Blue Cross of Southern California, Los Angeles
Beth de Woody, New York
Aileen and Ben Krohn, Seattle
Urs and Annabella Ris, Ascona, Switzerland
Richard Schwartz, Portland, OR
"I like the physical nature of building the sculpture–it seems very old-fashioned and traditional. The idea of the material itself–it’s friendly, flexible, there’s a glow from in it. I’m the full-service artist–doing it all at the moment. I like the aspect of the low-tech tools that I need to make something like this. In the beginning [it was] an Xacto knife, masking tape and glue–now it’s the screwgun. So that hasn’t changed much at all–the directness of it, that I could begin to shape this, I can make this very plastic without any special process. There is that sense of one person building this thing–it becomes a “feat”–the whole thing isn’t about that but within the world we live in right now, it makes it a kind of tribal ritual piece; the fact that it was done by the human hand. [That] takes people back to the place in their life where they remember pasting things together [and so] understanding the process. They can feel comfortable looking at artwork and they can take it further but it’s approachable, it’s a big dog!"

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